Revitalizing the Soul of Typography: Cultural Design Faculty and Students Launch Dual Exhibition at Shalu Shenbo Library
文化设计与行销系组长许伯豪与大一学生，于4至5月在沙鹿深波图书馆，同时举办《字游过了头：文字造型的实验与探索》、《察文观字》两场文字艺术展览。许伯豪透过拆解、错置、重组等方式，使文字产生极强视觉张力，像『「仇」过了头』、『「食」过了头』作品更直指僵化扭曲致使仇恨值高涨、对感官资讯过度消费等社会现象，发人深省。
Hsu Po-Hao, Section Chief of the Department of Cultural Design and Marketing, alongside freshman students, is hosting two concurrent typographic art exhibitions at the Shalu Shenbo Library from April to May: “Typography Overload: Experiments and Explorations in Letterforms” and “Observing Characters, Perceiving Words.” Through techniques such as deconstruction, displacement, and reassembly, Hsu creates profound visual tension within Chinese characters. Notable works such as “Hatred Overload” and “Consumption Overload” serve as provocative social commentaries, reflecting on phenomena such as rising hostility caused by rigid distortions in communication and the excessive consumption of sensory information.
